THE COMPANY
The Kendra Kimbrough Dance Ensemble (KKDE) was founded in 1996 by Kendra Kimbrough Barnes. The Ensemble’s mission is to bridge diverse cultures and communities through thought-provoking performances that address the common human experiences of its audience. KKDE represents a range of ages and body-types and incorporates a variety of dance styles to inform audiences about a variety of sociocultural issues. The Ensemble creates and presents dance works that build upon a wide array of dance genres, including a fusion of modern dance with movement from African, Brazilian, and North Indian cultures.
Since its founding, KKDE has self-produced numerous home seasons in Oakland, as well as producing concerts and collaborations in San Francisco. Artistic Director Barnes has worked in collaboration with dancers, musicians, and poets in order to realize her vision. KKDE has toured throughout Southern and Northern California and in Salvador, Bahia Brazil, and performed in several Bay Area dance festivals, including the East Bay Dance Series, Oakland Arts Festival, WestWave Dance Festival, Black Choreographers Festival, and ODC’s Pilot and House Special. Barnes is also an alum of the Artist in Residency program at Headlands Center for the Arts and at CounterPULSE/SF. With these critical resources and the mentorship of Rhodessa Jones of Cultural Odyssey, Barnes developed Home Is That Way?! (2010), a dance-drama exploring the effects of the incarceration of a loved one on a family. KKDE creates socially conscious works most recently including In The Meantime, a dance-drama about breast cancer prevention and awareness as well as ANGST: 3 AM which intimately looks at anxiety in and among African American boys, during their self-identity formation, and how it affects the relationships within their families and the community - both in creative collaboration with Delina Patrice Brooks.
The Kendra Kimbrough Dance Ensemble (KKDE) was founded in 1996 by Kendra Kimbrough Barnes. The Ensemble’s mission is to bridge diverse cultures and communities through thought-provoking performances that address the common human experiences of its audience. KKDE represents a range of ages and body-types and incorporates a variety of dance styles to inform audiences about a variety of sociocultural issues. The Ensemble creates and presents dance works that build upon a wide array of dance genres, including a fusion of modern dance with movement from African, Brazilian, and North Indian cultures.
Since its founding, KKDE has self-produced numerous home seasons in Oakland, as well as producing concerts and collaborations in San Francisco. Artistic Director Barnes has worked in collaboration with dancers, musicians, and poets in order to realize her vision. KKDE has toured throughout Southern and Northern California and in Salvador, Bahia Brazil, and performed in several Bay Area dance festivals, including the East Bay Dance Series, Oakland Arts Festival, WestWave Dance Festival, Black Choreographers Festival, and ODC’s Pilot and House Special. Barnes is also an alum of the Artist in Residency program at Headlands Center for the Arts and at CounterPULSE/SF. With these critical resources and the mentorship of Rhodessa Jones of Cultural Odyssey, Barnes developed Home Is That Way?! (2010), a dance-drama exploring the effects of the incarceration of a loved one on a family. KKDE creates socially conscious works most recently including In The Meantime, a dance-drama about breast cancer prevention and awareness as well as ANGST: 3 AM which intimately looks at anxiety in and among African American boys, during their self-identity formation, and how it affects the relationships within their families and the community - both in creative collaboration with Delina Patrice Brooks.
DIRECTOR KENDRA KIMBROUGH BARNES
has studied Contemporary, African, Brazilian, Indian, Dunham & Horton Techniques. She has performed with the late Malonga Casquelourd’s Fua Dia Congo, Chitresh Das’ Chhandam School of Kathak Dance, and Carlos Aceituno as well as projects with Donald Byrd, Robert Moses, Bebe Miller, Bill T. Jones, and Rosangela Silvestre.
In 1996 she founded the Kendra Kimbrough Dance Ensemble (KKDE). Most recent works include notable dance-dramas: Home Is That Way?, with the mentorship of Rhodessa Jones, In The Meantime, and Angst in collaboration with Delina Patrice Brooks. In The Meantime was the 2017 recipient of PUSHfest Audience Choice Award for Best Choreography. Currently Ms. Barnes is collaborating with Oakland veteran vocalist Jennifer Johns on ReD zONE, a work dedicated to the ritual of healing from sexual assault.
She has been a guest choreographer for San Francisco State University Dance Department, Dimensions Extensions Youth Performance Ensemble, Move Dance Theater of Oakland, and Abundant Life Christian Fellowship (staging a 100+ cast for a 4,000+ audience). KKDE has presented work at the East Bay Dance Festival, Alice Arts Center, the Black Choreographers Festival, Summerfest/WestWave Dance Festival, ODC Pilot, PUSHfest and Dance Mosaic.
Barnes has taught dance to adults and children of all ages through Dimension’s Rites of Passage program in Oakland at the Malonga Casquelourd Center for the Arts and jazz, Pilates and yoga at San Mateo, Laney and SF City Colleges. She has been an artist in residence at the Headlands Center for the Arts and CounterPULSE.
Her work as co-choreographer (with Latanya d Tigner) for CalShakes’ Black Odyssey was a finalist for the Theater Bay Area Best Choreography Award and she was the 2018 recipient of a Broadway World award for Best Choreography as Choreographer for the African American Shakespeare Company’s production of Ntozake Shange’s For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf. She is excited to return to AASC as the current choreographer of their production of Black Eagles.
Barnes is also co-founder/director for the Black Choreographers Festival (BCF), along with Laura Elaine Ellis (AAAPAC). Since 2005 BCF has served local, national and international artists with over 150 public events, acknowledging the diverse artistic expression within the context of African and African American dance and culture. Under her direction, K*Star*Productions, the presenting organization for BCF and KKDE, has received funding from the City of Oakland Cultural Arts Program, CA$H, The Irvine Foundation, the Zellerbach Family Fund, Alameda County Arts Commission, East Bay Community Foundation, California Arts Council, Alliance for California Traditional Arts, and The Walter and Elise Haas Fund Foundation.
Barnes holds a BA in Dance from San Francisco State University and a MA in Arts Administration from Golden Gate University. She graduated with honors and is a recipient of the "Who's Who Among Students in American Universities and Colleges" Award and "Who's Who Among American Women.”
A long time community and adjunct dance instructor she currently teaches dance at UC Berkeley and freelances as an administrator, teacher, and choreographer.
CURRENT COLLABORATORS AND KKDE MEMBERS
JENNIFER JOHNS
ReD zONE Musical collaborator (lyric, poetry and sounds)
Jennifer Johns is a siren, a call to worship, the horns before battle, your spirit’s amplifier. Vacillating between soul, hip hop, afro beat, dancehall, reggae, deep house and all rhythms in between, this sultry powerhouse produces sounds and experiences that are sure to stir your soul, inspire your mind and move your body. Jennifer has taken her global movement music around the world rocking stages from Denver to Dusseldorf, Los Angeles to London, Kuala Lumpur to Kampala opening for some of the best in the business including the likes of Ms. Lauryn Hill, The Black Eyed Peas, Mos Def, Capelton, Ziggy Marley, Gil Scott Heron, Wyclef, Bebel Gilberto, Les Nubian, MeShell Ndegeocell, De La Soul and Common to name just a few.
Today, Jennifer Johns is in the midst of creating a new body of work. Borrowing from all manner of “Afro Diasporic” sounds and rhythms, her lyrics span topics of love, power, freedom and fun..... stay tuned!
http://www.jenniferjohnsmusic.com/
ReD zONE Musical collaborator (lyric, poetry and sounds)
Jennifer Johns is a siren, a call to worship, the horns before battle, your spirit’s amplifier. Vacillating between soul, hip hop, afro beat, dancehall, reggae, deep house and all rhythms in between, this sultry powerhouse produces sounds and experiences that are sure to stir your soul, inspire your mind and move your body. Jennifer has taken her global movement music around the world rocking stages from Denver to Dusseldorf, Los Angeles to London, Kuala Lumpur to Kampala opening for some of the best in the business including the likes of Ms. Lauryn Hill, The Black Eyed Peas, Mos Def, Capelton, Ziggy Marley, Gil Scott Heron, Wyclef, Bebel Gilberto, Les Nubian, MeShell Ndegeocell, De La Soul and Common to name just a few.
Today, Jennifer Johns is in the midst of creating a new body of work. Borrowing from all manner of “Afro Diasporic” sounds and rhythms, her lyrics span topics of love, power, freedom and fun..... stay tuned!
http://www.jenniferjohnsmusic.com/
MEET THE COMPANY & CAST OF ReDzONE
Lydia Clinton Lydia Clinton, a Bay Area native, went to Point Park University receiving a BA in Dance (Modern). During college, she attended the American Dance Festival on scholarship and San Francisco Conservatory of Dance’s summer program. Since returning home, she has worked
with AXIS Dance Company, Cat Call Choir, Capacitor, Lauren Simpson Dance, PUSH Dance Company, and Zaccho Dance Theatre.
Jhia Louise Jackson is an artist, activist, and academic who continually melds her training in these worlds through interdisciplinary works. She is the founder of Emerging Black Bay Artists and j.habitus. She earned her BA in Dance, Sociology, and Ethics from Loyola Marymount University in Los Angeles, MS in Bioethics from Columbia University, and is currently pursuing a PhD in Sociology at University of California San Francisco. As a primarily-movement based artist with diverse training and experience, she has worked with artists such as: Ronnie Reddick, Joya Powell/MOPDC, Raissa Simpson/PUSH Dance Company, Alexandra Pirici, RAWdance, Urban Bush Women (Summer Leadership Institute), Holly Johnston, and dNaga Dance. This has manifested in a variety of forms, including dance films, site-specific works, installations, concert dance, and more, which informs her own practices as a teacher and choreographer/director. To learn more about her or her work, visit www.jhiajackson.com.
Linda Steele II is a improvisational dance artist and creator, formally trained at Marin Ballet and Marin School of the Arts before receiving her BFA from Alonzo King LINES Ballet/Dominican University of CA where she also studied Art History. She has been honored to have performed original works by Alonzo King, Drew Jacoby, Maurya Kerr's tinypistol, Sidra Bell, Katie Faulkner and recently with Joslynn Mathis Reed, Urban Jazz Dance Company, Dazaun Soleyn, Mud Water Theater, El Wah Dance Theater, Casey Thorne's Inside Out Contemporary Ballet, among others.
Linda II has presented her work in dance festivals and art events including the renowned Ebony Fashion Fair. She has studied and choreographed Dance for Filmwith MADE in France and has performed internationally with Anandha Ray's Quimera Tribe, Corina Kinnear and others. She is deeply grateful to have met and collaborated with such amazing artists.
COMPANY ADMINISTRATOR
Ashley Gayle Crockett Since graduating from UC Irvine with a B.F.A in Dance Performance and a minor in Business Management in 2012, Ashley Gayle has been busy tackling her many passions. After moving back home to the Bay Area, she’s performed with many local companies; the Alayo Dance Company, PUSH Dance Company, LV Dance Collective, the David Herrera Dance Company, Mix'd Ingrdnts, and Urban Jazz Dance Company. When she is not onstage, Ashley Gayle enjoys teaching for local studios and school outreach programs throughout the Bay Area; including Shawl-Anderson Dance Center, John Muir Elementary, UC Berkeley/CalPerformances Ailey Camp, amongst others. Her current endeavor is building her own dance company, Visceral Roots, and presenting choreography rooted in telling stories inspired by social justice for minorities.
ADVISORY COMMITTEE
Nate Barnes
Delina Patrice Brooks
Tasha Henneman
Kysha Mitchell
Deborah Vaughan
Fiscal Sponsor
Dimensions Dance Theater
Lydia Clinton Lydia Clinton, a Bay Area native, went to Point Park University receiving a BA in Dance (Modern). During college, she attended the American Dance Festival on scholarship and San Francisco Conservatory of Dance’s summer program. Since returning home, she has worked
with AXIS Dance Company, Cat Call Choir, Capacitor, Lauren Simpson Dance, PUSH Dance Company, and Zaccho Dance Theatre.
Jhia Louise Jackson is an artist, activist, and academic who continually melds her training in these worlds through interdisciplinary works. She is the founder of Emerging Black Bay Artists and j.habitus. She earned her BA in Dance, Sociology, and Ethics from Loyola Marymount University in Los Angeles, MS in Bioethics from Columbia University, and is currently pursuing a PhD in Sociology at University of California San Francisco. As a primarily-movement based artist with diverse training and experience, she has worked with artists such as: Ronnie Reddick, Joya Powell/MOPDC, Raissa Simpson/PUSH Dance Company, Alexandra Pirici, RAWdance, Urban Bush Women (Summer Leadership Institute), Holly Johnston, and dNaga Dance. This has manifested in a variety of forms, including dance films, site-specific works, installations, concert dance, and more, which informs her own practices as a teacher and choreographer/director. To learn more about her or her work, visit www.jhiajackson.com.
Linda Steele II is a improvisational dance artist and creator, formally trained at Marin Ballet and Marin School of the Arts before receiving her BFA from Alonzo King LINES Ballet/Dominican University of CA where she also studied Art History. She has been honored to have performed original works by Alonzo King, Drew Jacoby, Maurya Kerr's tinypistol, Sidra Bell, Katie Faulkner and recently with Joslynn Mathis Reed, Urban Jazz Dance Company, Dazaun Soleyn, Mud Water Theater, El Wah Dance Theater, Casey Thorne's Inside Out Contemporary Ballet, among others.
Linda II has presented her work in dance festivals and art events including the renowned Ebony Fashion Fair. She has studied and choreographed Dance for Filmwith MADE in France and has performed internationally with Anandha Ray's Quimera Tribe, Corina Kinnear and others. She is deeply grateful to have met and collaborated with such amazing artists.
COMPANY ADMINISTRATOR
Ashley Gayle Crockett Since graduating from UC Irvine with a B.F.A in Dance Performance and a minor in Business Management in 2012, Ashley Gayle has been busy tackling her many passions. After moving back home to the Bay Area, she’s performed with many local companies; the Alayo Dance Company, PUSH Dance Company, LV Dance Collective, the David Herrera Dance Company, Mix'd Ingrdnts, and Urban Jazz Dance Company. When she is not onstage, Ashley Gayle enjoys teaching for local studios and school outreach programs throughout the Bay Area; including Shawl-Anderson Dance Center, John Muir Elementary, UC Berkeley/CalPerformances Ailey Camp, amongst others. Her current endeavor is building her own dance company, Visceral Roots, and presenting choreography rooted in telling stories inspired by social justice for minorities.
ADVISORY COMMITTEE
Nate Barnes
Delina Patrice Brooks
Tasha Henneman
Kysha Mitchell
Deborah Vaughan
Fiscal Sponsor
Dimensions Dance Theater